Calendar Girl by Peruvian Artist Alberto Vargas (1896 – 1982); for his alluring and exquisite pin-up girl art and considered to be the most famous of the pin-up artist genre.
This is one of Vargas pin up calendar girl illustrations depicting a beautiful and sexy golden haired blonde wearing a yellow skimpy open back mini dancers dress and matching open toe high heel strap shoes.
She is in a seated position with her left leg stretched out and her right leg folded up that she is supporting with her left hand.
Since the image was against a white background I decided to add some additional digital art typography elements, which give the piece a beautiful art deco look.
This is a retouched digital art old masters reproduction of a public domain image.
Info Below From Wikipedia.org
Born in Arequipa, Peru, he was the son of noted Peruvian photographer Max T. Vargas. Alberto Vargas moved to the United States in 1916 after studying art in Europe, Zurich, and Geneva prior to World War I.
While he was in Europe he came upon the French magazine La Vie Parisienne, with a cover by Raphael Kirchner, which he said was a great influence on his work.
His early career in New York included work as an artist for the Ziegfeld Follies and for many Hollywood studios. Ziegfeld hung his painting of Olive Thomas at the theater, and she was thought of as one of the earliest Vargas Girls.
Vargas’ most famous piece of film work was for the poster of the 1933 film The Sin of Nora Moran, which shows a near-naked Zita Johann in a pose of desperation. The poster is frequently named one of the greatest movie posters ever made.
He became widely noted in the 1940s as the creator of iconic World War-II era pin-ups for Esquire magazine known as “Vargas Girls.” Between 1940 and 1946 Vargas produced 180 paintings for the magazine.
The nose art of many American and Allied World War II aircraft was inspired and adapted from these Esquire pin-ups, as well as those of George Petty, and other artists.