Esquire Calendar Girl 1946 by Alberto Vargas (1896 – 1982); known for his alluring and exquisite pin-up girl art and considered to be the most famous of the pin-up artist genre.
This is sexy stunning portrait of a beautiful blonde Varga Esquire Calendar Girl of 1946 wearing a sheer black negligee, white shoes and black headband.
She is in a backward leaning pose, with her outstretched left hand and open left hand resting on her left thigh; while her right arm is extended behind her with her open palm facing downward.
Esquire Calendar Girl 1946 is a retouched digital art old masters reproduction of a public domain image.
Info Below From Wikipedia.org
Born in Arequipa, Peru, he was the son of noted Peruvian photographer Max T. Vargas. Alberto Vargas moved to the United States in 1916 after studying art in Europe, Zurich, and Geneva prior to World War I. While he was in Europe he came upon the French magazine La Vie Parisienne, with a cover by Raphael Kirchner, which he said was a great influence on his work.
His early career in New York included work as an artist for the Ziegfeld Follies and for many Hollywood studios. Ziegfeld hung his painting of Olive Thomas at the theater, and she was thought of as one of the earliest Vargas Girls. Vargas’ most famous piece of film work was for the poster of the 1933 film The Sin of Nora Moran, which shows a near-naked Zita Johann in a pose of desperation. The poster is frequently named one of the greatest movie posters ever made.
He became widely noted in the 1940s as the creator of iconic World War-II era pin-ups for Esquire magazine known as “Vargas Girls.” Between 1940 and 1946 Vargas produced 180 paintings for the magazine. The nose art of many American and Allied World War II aircraft was inspired and adapted from these Esquire pin-ups, as well as those of George Petty, and other artists.