Madame Philippe Panon Desbassayns de Richemont agus a Mac, Eugène
Madame Philippe Panon Desbassayns de Richemont (Jeanne Eglé Mourgue) and Her Son, Eugène probably c1802 by French Painter Marie-Guillemine Benoist (1768 – 1826); a Neoclassical, Historical, Genre and Portrait Painter.
Is iontach é seo portráid of Jeanne Eglé Mourgue (1778 – 1855) and her sone Eugène (1800 – 1859), the wife of diplomat Philippe Panon Desbassayns de Richemont (1774 - 1840).
She is depicted sitting in a wooden chair with a blue silk seat trimmed with brass buttons, that has a shawl draped over the back rest.
She is wearing a long white dress that has two red gemstones on the shoulder, that match the gold braided string bracelet with a round gemstone that she is wearing on her left wrist; agus tá saise glas aici freisin atá ceangailte díreach faoi bhun a cíoch.
Tá sí freisin ag caitheamh ceann óir atá ceangailte ar chúl a gruaige fillte donn le gcuacha a thiteann thar a héadan agus taobhanna a héadan agus cluaise lúb óir.
A mac, an té atá ag claonadh ar a hucht tá a lámh chlé ar a lamh chlé agus é ag coinneáil cuid dá bráisléad le cloch eile ina lámh; agus tá sé ag caitheamh léine bán-bluish, veist ghorm, agus shorts ton óir a chomhlánaíonn a chuid gruaige blonde daite.
Seo atáirgeadh seanmháistrí ealaíne digiteach athmháistrithe d’íomhá fearainn phoiblí atá ar fáil mar phriontáil chanbhás ar líne.
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Chuir Marie tús lena hoiliúint ealaíne faoin bPéintéir Portráidí Francach Élisabeth Vigée Le Brun (1755 – 1842), ag aois 13; agus ansin 5 blianta ina dhiaidh sin i 1786, in éineacht lena deirfiúr Marie-Élisabeth Laville-Leroux (1770 – 1826), thosaigh sé ag staidéar leis an bPéintéir Francach Jacques-Louis David (1748 – 1825).
She began exhibiting her artwork in 1791 at the Paris Salon with the mythological inspired piece Psyché faisant ses adieux à sa famille; agus 9 years later at the Salon exhibited Portrait d’une Négresse (which in 2019 was renamed Portrait de Madeleine), which became a symbol of women’s emancipation and black peoples rights; as slavery had been abolished in 1794.
I 1803 Marie received an important commission to create a full length portrait of Napoleone Buonaparte (1769 – 1821) First French Consul (Premier Consul Français), then a year later she was awarded the Gold Medal at the Paris Salon, that led to her receiving a governmental allowance; and it was during this time that she opened her own atelier (art studio), chun mná a oiliúint san ealaín.