Mary Magdalene
Mary Magdalene c1660 + 70 le Péintéir na hIodáile Carlo Dolci (1616 – 1686) den Tréimhse Bharócach, clú air mar gheall ar a shaothair an-mhionsonraithe d’ealaín reiligiúnach.
The dimly lit portrait casts a dramatic chiaroscuro effect, with deep shadows contrasted by sculpted heavenly beams of light that highlight a slightly golden halo; around the head of Mary Magdalene, who is gazing upward with an expression of wistful contemplation.
Her warmed toned skin and delicate features are highlighted against simple stone wall wall backdrop, convey the divine grace of the scene with her as the focal point.
Mary is wearing a luxurious red velvet cloak with puffed sleeves, over an intricate white laced undergarment that can be seen protruding from the collar of the cloak.
She has a ruby jeweled brooch that is fastened at her right shoulder, which rest on the brown leather portion of the cloak accented by black leather floral motifs, as it glints in the directed light above her.
Her chestnut tresses are styled in a gentle cascading flow that rest on her shoulders and down her back; while framing her face and delicate brown eyes as she speaks with the GOD Almighty.
Ina lámh dheas, she gently holds a simple plain silver urn, with a smooth domed cap that, that would have traditionally been used to store sacred herbs; adding an air of enigmatic symbolism to the portrayal of this momentous event.
The work’s historic and masterful origins from the Renaissance era of art and classical antiquity, exudes a solemn, romantic aura befitting the artistic styles and fashions of that transformative period; and conveys the majesty of a moment in history, that is still felt to the present time of the modern world.
Faisnéis Thíos Díorthaithe ó Wikipedia.org
Rugadh Carlo i bhFlórans; garmhac péintéir ar thaobh a mháithreacha den teaghlach a bhí mar phrintíseach ag Bharócach na hIodáile Jacopo Vignali (1592 – 1664).
Murab ionann agus go leor péintéirí eile ní péintéir bisiúil a bhí i Carlo; go leor uaireanta ag cur seachtainí ag obair ar chuid amháin de chorp an duine.
D’fhág sé sin nach raibh sé oiriúnach do fresco ar mhórscála, and so he mainly painted small scale and half body length portraits; although he did paint some full length portraits as well.
Since Dolci was a devoted Christian much of his work is religious in nature, demonstrating his strong belief and faith. He also had a daughter Agnese Dolci (1635 – 1686), who was an accomplished artist in her own right that helped produced copies of his works.
Cruthú ealaíne digiteach seo, mar atá an saothar ealaíne go léir atá le fáil ar shuíomh Gréasáin Xzendor7 ar fáil le ceannach ar líne i bhformáidí éagsúla ábhar lena n-áirítear priontaí canbháis, priontaí aicrileach, priontaí miotail, priontaí adhmaid, priontaí frámaithe, póstaeir, agus mar priontaí chanbhás rollta i méideanna éagsúla ó 12 orlach go 72 orlach ag brath ar mhéid an tsaothair ealaíne iarbhír agus ar an siopa priontála ar éileamh a roghnaíonn tú an ealaín a cheannach uaidh.
Tá an saothar ealaíne ar fáil freisin ar raon leathan éadaí fear agus ban, mugaí, totes, scaifeanna, leabhair nótaí agus irisleabhair agus go leor táirgí maisiúcháin tí.