Musidora
Musidora c1825 by American Painter Asher Brown Durand (1796 – 1886); who was part of the Romanticism Art Movement and was a graduate of the Hudson River School. Asher’s main focus was on landscape paintings.
Hau da beautiful nude portrait engraving of a young woman in a lush forest that has removed all of her outer garments, which included her hat, scarf, and dress.
She is partially covered by sheer garment that is falling off her right shoulder and that is covering the front of her waist and right leg as it falls to the floor; and that she is holding in place on the front of her waist with her left hand.
She has laid her cloths at the base of a tree that is not to far behind her as she looks off into the distant sky that is illuminating her, as she is positioned slightly turned to her left; while she leans on a medium sized boulder with the palm of her right hand that is by an embankment of a large pond.
By the embankment are an assortment of flowers and plants, as well as smaller trees; and in the distance is a dense concentration of tress, and water flowing to an arched opening in the trees where we can see light illuminating the area.
Musidora Asher B. Durand is a remastered digital art old masters reproduction of a public domain image that is available for purchase online as a rolled canvas art print.
Beheko informazioa Wikipedia.org
Durand was born in and died in Maplewood, New Jersey (orduan Jefferson Village deitua). Hamaika umeetatik zortzigarrena izan zen, eta bere aita erlojugilea eta zilargilea zen.
Durand grabatzaile baten aprendiz izan zen 1812 to 1817 eta geroago enpresaren jabearekin lankidetza bat egin zuen, Charles Cushing Wright (1796 – 1854), konpainiaren New Yorkeko bulegoa kudeatzeko eskatu zion.
John Trumbull-i Independentzia Adierazpena grabatu zuen bitartean 1823, horrek Durand-en ospea ezarri zuen herrialdeko grabatzaile onenetako bat bezala.
Durandek New York Drawing Association antolatzen lagundu zuen 1825, which would become the National Academy of Design; he would serve the organization as president from 1845 to 1861.
Asher’s engravings on bank notes were used as the portraits for America’s first postage stamps, du 1847 seriea. Along with his brother Cyrus he also engraved some of the succeeding 1851 issues.
His main interest changed from engraving to oil painting about 1830 with the encouragement of his patron, Luman Reed. During 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks Mountains and soon after he began to concentrate on landscape painting.
He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School.
Durand is remembered particularly for his detailed portrayals of trees, arroka, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, “Let [artista] scrupulously accept whatever [izadi] presents him until he shall, in a degree, have become intimate with her infinity…never let him profane her sacredness by a willful departure from truth.”
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general opinions on art in his essay “Letters on Landscape Painting” in The Crayon, a mid-19th century New York art periodical. Wrote Durand, “[T]he true province of Landscape Art is the representation of the work of God in the visible creation…”
Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills Mountains landscape. This was painted as a tribute to Cole upon Cole’s death during 1848, and as a gift to Bryant.