The Bouquet
The Bouquet c1889 by Italian Painter Vittorio Matteo Corcos (1859 – 1933); ainmeil airson an obair-ealain gnè aige a’ sealltainn fir is boireannaich air an sgeadachadh gu grinn aig amannan cur-seachad agus cluich.
This is a portrait of a young lady with auburn hair, wearing a silk or satin light colored blue-white dress, with cross straps that go over her shoulders with an disc brooch at the center; as well as a sheer blue shawl around her arms and across her chest and on the waist.
She is sitting on a bench with a possible marble top and a wooden blue foundation that is embellished with a copper motif.
In her hands that are resting on her lap is a bouquet of purple roses, and beside her to her right is an assortment of white roses resting on the top of the bench.
The background is composed of a sating drape that blends into the background wall of varying colors that conforms to the young ladies skin tones.
The Bouquet is a remastered digital art old masters reproduction of a public domain image that is available as a clò-bhualadh canabhas air-loidhne.
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Rugadh Vittorio do phàrantan Iùdhach, Isaac agus Iudit Baquis, ann an Livorno, agus aig aois 16, fhuair e trèanadh ealanta aig Acadamaidh Ealain Fhìnealta Florence fo stiùireadh a’ pheantair Eadailteach Enrico Pollastrini (1817 – 1876).
An uairsin eadar 1878 agus 1879 bha e ag obair fo Pheantair Eadailteach Domenico Morelli (1826 – 1901) ann an Naples; ainmeil airson a bhith a’ dèanamh dhealbhan eachdraidheil is cràbhach; agus a bha air a mheas mar bhuaidh mhòr ann an ealan an dara leth den 19mh Linn.
Shiubhail Vittorio an uairsin gu Paris far an do choinnich e ri peantair Frangach Léon Bonnat (1833 – 1922), agus chuir e ainm ri cùmhnant leis an Goupil & Cie prìomh neach-reic san Fhraing san 19mh linn, às an robh e comasach dha cur ris a theachd a-steach mar pheantair dhealbhan le dealbhan airson irisean.
Bhiodh e gu tric ann an cearcallan a’ pheantair Eadailteach Giuseppe De Nittis (air a mheas mar aon de na peantairean Eadailteach as cudromaiche san 19mh linn); agus bho 1881 gus 1886, bhiodh e tric a’ taisbeanadh aig an Salon.
Ann an 1886 Thill Vittorio dhan Eadailt, gu deònach a dhol dhan arm, agus an sin thuinich e ann am Florence. Aig an àm sin thionndaidh e gu Caitligeachd agus phòs e banntrach air an robh Emma Ciabatti.
Ann am Florence, rinn e caraidean ann an cearcallan inntleachdail an ama, agus rinn iad dealbhan den pheantair Realist Eadailteach Silvestro Lega (1826 – 1895), Bàrd Eadailteach Giosue Carducci (1835 – 1907), agus an sgrìobhadair Eadailteach Pietro Mascagni (1863 – 1945).
Às deidh 1900, sgrìobh e airson an Florentine Journal Il Marzocco.; a bharrachd air sgeulachd ghoirid fhoillseachadh anns an iris Fanfulla della Domenica leis an tiotal Mademoiselle Leprince.
Ann an 1904, shiubhail e gu Potsdam gus an Impire Uilleam II a pheantadh (1859 – 1941) agus buill eile de mhonarcachd na Gearmailt.
Aig àm a' Chiad Chogaidh ann an 1916, Bhàsaich mac Vittorio ann am blàr. Nas fhaide air adhart anns na 1920n chaidh e a-steach don Gruppo Labronico còmhla ris na peantairean Eadailteach Plinio Nomellini (1866 – 1943) agus Ulvi Liegi (1858 – 1939).
Pheant e cuideachd dealbhan de Mussolini (Benito Amilcare Andrea Mussolini saor an asgaidh 1883 – 1945) a-steach 1928; A’ Bhan-iarla Annina Morosini (1924 – 1965); Ban-iarla Nerina Volpi à Misurata; Carducci, Puccini agus Mascagni; Banrigh Amélie à Portagail agus Bana-phrionnsa Orleans.