An Necklace Pearl
An Necklace Pearl le peantair Frangach Teàrlach Joshua Chaplin (1825 – 1891); a bharrachd air clò-bhualadair ainmeil airson nan dealbhan agus na cruthan-tìre aige ag obair le ola, pasteachan, lithography, dath uisge agus cailc.
Boireannach òg na suidhe ann an cathair-armachd padded le còmhdach sgeadachaidh agus cluasag a’ cumail a druim, air a sgeadachadh ann an gùn sìoda orains-pinc bhon mheadhan sìos agus anart geal far a ghualainn.
Tha a falt donn ceangailte air mullach a cinn le rioban pinc, agus tha seud-muineil neamhnaid geal oirre mu a h-amhaich a’ coimhead a-steach do sgàthan ùrlair làn-mheud a tha dheth air an taobh chlì.
Tha i a’ suathadh ris an earrainn crochte den t-seud-muineil neamhnaid agus i a’ coimhead a-steach don sgàthan le a làmh dheas, fhad ‘s a thèid i tro bhogsa seudaireachd meatailt fosgailte le lìnigeadh turquoise air a mhullach, tha sin air a lìonadh le seudan neamhnaid eile agus bracelet mòr òir le rubies suidhichte timcheall air an iomall.
Is e seo ath-riochdachadh seann mhaighstirean ealain didseatach ath-leasaichte de ìomhaigh raon poblach a tha ri fhaighinn mar a clò-bhualadh canabhas air-loidhne.
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B' e peantair agus clò-bhualadair Frangach a bh' ann an Teàrlach Joshua Chaplin a pheant an dà chuid cruthan-tìre agus dealbhan. Bha e ag obair ann an dòighean leithid pastail, lithography, dath-uisge, cailc, peantadh ola agus clò-bhualadh. Bha e ainmeil airson nan dealbhan eireachdail aige de bhoireannaich òga.
Rugadh Teàrlach Joshua Chaplin air 8 An t-Ògmhios 1825 ann an Les Andelys, Tha do, An Fhraing. A mhàthair, Olympia Adelle Moisy, bha Frangach, ach 'athair, Iain Chaplin, bha e na broker ealain à Sasainn. Chuir Teàrlach Chaplin seachad a bheatha gu lèir anns an Fhraing, a bhith nad shaoranach nàdarrach ann an 1886.
He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts.
Ann an 1845, he entered the Paris Salon, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist’s Mother. Chaplin conducted art classes specifically for women at his studio, including Marie Joséphine Nicolas.
The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin’s students. His son Arthur Chaplin was also a painter. Chaplin died on 30 Am Faoilleach 1891 a-steach, aged 65, Paris mar dhuine beairteach agus tha e air a thiodhlacadh ann an Cladh Père Lachaise.
Rinn Chaplin a’ chiad turas aige aig an t-Salon le dealbhan, ach pheant e cruthan-tìre cuideachd, gu sònraichte dùthaich Auvergne. Na h-obraichean tràth aige, bho 1848 gu 1851, air am peantadh ann an dòigh a tha air a chomharrachadh le ùidh ann am fìor-eòlas, stoidhle a chaidh a stèidheachadh ann an Dàrna Poblachd na Frainge, aig an robh na facail-suaicheantais Liberté, co-ionannachd, bràithreachas, agus chaidh a riaghladh airson trì bliadhna le riaghaltas poblachdach na Frainge bho na 1848 Ar-a-mach gus an 1851 losgadh le Louis-Napoléon Bonaparte.
B’ e gluasad ealanta a thòisich anns an Fhraing anns na 1850n a bh’ ann an reul-eòlas, an dèidh an 1848 Ar-a-mach.[5] From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy.
Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Nas fhaide air adhart, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, Francois Boucher (1703–1770).
He also embraced the tradition of the great English portraitists. He developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work.