The Boyarina
The Boyarina c1885 by Russian Painter Konstantin Makovsky (1839 - 1915); erikoistunut venäläisiin historiallisiin maalauksiin, jotka näyttävät idealisoidun näkemyksen venäläisestä elämästä menneinä vuosisatoina.
This is a portrait of beautiful young lady of the Boyar class in Russia, that was part of the Russian Nobility ; just below that of a Prince; which was abolished by Peter The Great when he took power in 1697 and began to make reforms to the Russian system of governance.
She is sitting in an arm chair wearing a floral red blouse with white sleeves and white embroidery down the center; along with a large silver braided neck piece and necklace and a matching large silver headpiece.
She is also wearing a silver ring with a white pearl on her left hand; and is partially covered with a brown fur coat.
She has a solemn look on her face as light streaming illuminates her face and body through a window.
Tämä on retusoitu digitaalinen taidekopio julkisessa käytössä olevasta kuvasta, joka on ostettavissa a kanvastulostus verkossa.
Alla olevat tiedot ovat peräisin Wikipedia.org
Konstantin Makovsky oli vaikutusvaltainen venäläinen taidemaalari, affiliated with the “Peredvizhniki (Vaeltajat)”. Monet hänen historiallisista maalauksistaan, kuten Beeath the Crown (1889) also known as The Russian Bride’s Attire and Before the Wedding, osoitti idealisoidun näkemyksen Venäjän aikaisempien vuosisatojen elämästä. Häntä pidetään usein akateemisen taiteen edustajana.
Konstantin Makovsky syntyi Moskovassa. Hänen isänsä oli venäläinen taidehahmo ja amatöörimaalari, Jegor Ivanovich Makovsky. Hänen äitinsä oli säveltäjä, ja hän toivoi, että hänen poikansa jonain päivänä seuraisi hänen jalanjälkiä. Hänen nuoremmat veljensä Vladimir ja Nikolay sekä hänen sisarensa Alexandra ryhtyivät myös maalareiksi.
Sisään 1851 Makovsky tuli Moskovan maalauskouluun, Veistos ja arkkitehtuuri, jossa hänestä tuli paras opiskelija, saada helposti kaikki saatavilla olevat palkinnot. Hänen opettajansa olivat Karl Bryullov ja Vasily Tropinin. Makovsky’s inclinations to Romanticism and decorative effects can be explained by the influence of Bryullov.
Although art was his passion, he also considered what his mother had wanted him to do. He set off to look for composers he could refer to, and first went to France. Before, he had always been a classical music lover, and listened to many pieces. He often wished he could change the tune, or style of some of them to make them more enjoyable. Later in his life it came true.
Sisään 1858 Makovsky entered the Imperial Academy of Arts in Saint Petersburg. Alkaen 1860 he participated in the Academy’s exhibitions with paintings such as Curing of the Blind (1860) and Agents of the False Dmitry kill the son of Boris Godunov (1862). Sisään 1863 Makovsky and thirteen other students held a protest against the Academy’s setting of topics from Scandinavian mythology in the competition for the Large Gold Medal of Academia; all left the academy without a formal diploma.
Makovsky became a member of a co-operative (artel) of artists led by Ivan Kramskoi, typically producing Wanderers paintings on everyday life (Widow 1865, Herring-seller 1867, etc.). Alkaen 1870 he was a founding member of the Society for Traveling Art Exhibitions and continued to work on paintings devoted to everyday life. He exhibited his works at both the Academia exhibitions and the Traveling Art Exhibitions of the Wanderers.
A significant change in his style occurred after traveling to Egypt and Serbia in the mid-1870s. His interests changed from social and psychological problems to the artistic problems of colors and shape.
In the 1880s he became a fashionable author of portraits and historical paintings. At the World’s Fair of 1889 in Paris he received the Large Gold Medal for his paintings Death of Ivan the Terrible, The Judgement of Paris, and Demon and Tamara. He was one of the most highly appreciated and highly paid Russian artists of the time. Many democratic critics considered him as a renegade of the Wanderers’ ideals, producing (like Henryk Siemiradzki) striking but shallow works,[2] while others see him as a forerunner of Russian Impressionism.
Makovsky was killed in 1915 when his horse-drawn carriage was hit by an electric tram in Saint Petersburg.