The Pearl Necklace
The Pearl Necklace by French Painter Charles Joshua Chaplin (1825 – 1891); chomh maith le déantóir priontaí a bhfuil aithne air as a chuid portráidí agus a thírdhreacha ag obair le hola, pastail, liteagrafaíocht, dath uisce agus cailc.
A young woman sitting in a padded armchair with a decorative cover and a pillow supporting her back, is dressed in an orange-pink silk gown from the waist down and a sheer linen white off shoulder top.
She has her brown hair tied up on top of her head with a pink ribbon, and is wearing a white pearl necklace around her neck looking into a full size framed floor mirror that is off to her left.
She is touching the hanging section of the pearl necklace while looking into the mirror with her right hand, while she goes through an open metal jewelry box with a turquoise lining on its lid, that is filled with other pearl jewelry and a large gold bracelet with rubies positioned around its perimeter.
Seo atáirgeadh seanmháistrí ealaíne digiteach athmháistrithe d’íomhá fearainn phoiblí atá ar fáil mar a priontáil chanbhás ar líne.
Faisnéis Thíos Díorthaithe ó Wikipedia.org
Charles Joshua Chaplin was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, liteagrafaíocht, uiscedhath, chalk, oil painting and etching. He was best known for his elegant portraits of young women.
Charles Joshua Chaplin was born on 8 Meitheamh 1825 in Les Andelys, Eure, An Fhrainc. A mháthair, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886.
Rinne sé staidéar ag an École des Beaux-Arts i bPáras ó 1840, agus thug sé ceachtanna príobháideacha i stiúideo Michel Martin Drolling, i measc a phrintísigh bhí Paul Baudry, Jules Breton agus Jean-Jacques Henner. Níos déanaí bhí sé ag múineadh freisin ag an École des Beaux-Arts.
I 1845, chuaigh sé isteach i Salon Pháras, taispeántas oifigiúil ealaíne an Académie des Beaux-Arts, mar phéintéir portráide agus tírdhreacha leis an bpictiúr Portrait of the Artist’s Mother. Rinne Chaplin ranganna ealaíne go sonrach do mhná ina stiúideo, lena n-áirítear Marie Joséphine Nicolas.
An t-ealaíontóir Meiriceánach Mary Cassatt, bhí an t-ealaíontóir Francach Louise Abbéma agus an t-ealaíontóir Sasanach Louise Jopling i measc scoláirí Chaplin. Bhí a mhac Arthur Chaplin ina phéintéir freisin. Chaplin died on 30 Eanáir 1891 in, aged 65, Paris as a wealthy man and is buried in the Père Lachaise Cemetery.
Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, ó 1848 chun 1851, were painted in a manner characterized by an interest in realism, a style established in the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte.
Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution.[5] From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, ag iarraidh daoine aonair agus cásanna comhaimseartha fíor agus sainiúla a léiriú le fírinne agus le cruinneas.
Phéinteáil Chaplin go leor saothar ina laethanta tosaigh, lena n-áirítear staidéir bláthanna a bhí ar taispeáint ag an Salon de las Flores. Níos déanaí, sna 1850idí déanacha, thréig sé nádúrachas, a stíl níos luaithe, é a mhalartú le haghaidh níos galánta, teicníc galánta agus supple a thug clú áirithe air sa Fhrainc le linn a thréimhse mar phéintéir portráidí; mar sin ghlac sé le stíl ildánach agus luaineach agus faiseanta an phéintéir Fhrancaigh iomráiteach, Francois Boucher (1703–1770).
Ghlac sé freisin le traidisiún na mór-portráidí Sasanacha. D’fhorbair sé a stíl phéintéireachta féin ach ba iad na péintéirí Briotanacha Joshua Reynolds agus Thomas Gainsborough a spreag é. Ba ghnách leis saothair an ealaíontóra Ollannaigh Pieter Paul Rubens a ghreanadh agus fuair sé tuilleadh tionchair óna shaothar.