Capriccio With Elegant Figures
Capriccio With Elegant Figures c1750 by Italian Painter Antonio Joli (1700 – 1777); ainmeil airson a dhealbhan seallaidh vedute agus caprici.
Is e mìorbhaileach a tha seo capricci painting showing people of the upper class of the time in an old Roman palace.
We ca see in the foreground two men who are walking with a white dog beside them in conversation, with a possible guard and another man near a large pillar that has a statue of a goddess standing on a pedestal.
These goddesses can be seen through the palace on all four sides of the four major columns in the scene; and up the stairs where the two men and the dog are, we can see more people that have gathered by a Roman statue in the main column of the scene.
In the open area we can see a lush garden, where there are steps that lead to the main building with statues at the base and a horse statue and rider at the top; we see what is most likely a nobleman and noblewoman, walking with a man behind lady holding a parasol above her head, and what appears to be a servant carry the blue part of her dress above the floor.
Photo Retouching Video Of Capriccio With Elegant Figures by Antonio Joli
Behind the noble couple is their entourage and along the balcony of the main building are other men and women conversing and enjoying the beautiful sunny clear day.
Capriccio With Elegant Figures is a remastered digital art old masters reproduction of a public domain image that is available as a clò-bhualadh canabhas air-loidhne.
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Rugadh Antonio ann am Modena, an Eadailt sa Mhàrt 13, 1700 agus chaidh a phreantasachadh an toiseach aig Rafaello Rinaldi air an robh Il Menia cuideachd, a bharrachd air a bhith ag obair ann an stiùidio an Galli da Bibbiena; a bha nan teaghlach de luchd-ealain seallaidh Eadailteach bhon t-17mh agus an 18mh linn a bha a’ dol bho 1625 – 1787.
Thòisich e na dhreuchd mar pheantair seataichean àrd-ùrlair ann am Modena agus Perugia, agus aig aois 32 ghluais e gu Venice far an robh e ag obair mar pheantair àrd-ùrlair airson na riochdachaidhean opera aig an Teatro di San Giovanni Grisostomo agus an Teatro San Samuele den teaghlach Grimani.
Ann an 1742 shiubhail e gu Dresden, A’ Ghearmailt agus an uairsin a Lunnainn, Sasainn cò às a dh'fhuirich e 1744 gu 1748, an uairsin gu Madrid, An Spàinn bho 1750 – 1754.
Fhad 's a bha e a' fuireach agus ag obair ann an Lunnainn bha e a' sgeadachadh aitreabh Richmond aig a' Chunntas Eilbheiseach Iain Seumas Heidegger (1666 – 1749), an uairsin na stiùiriche air Taigh-cluiche an Rìgh (taigh-cluiche West End suidhichte air Haymarket ann am Baile Westminster, Lunnainn).
Nuair a bha e ann am Madrid bha e cuideachd ag obair mar pheantair seallaidhean don chùirt rìoghail; a bharrachd air an taigh opera nas lugha ann an lùchairt Aranjuez. Chruthaich e cuideachd dealbhan mòra den Esquadra del Tajo, the fleet of royal barges and other vessels on the river Tajo at Aranjuez.
Ann an 1754 Antonio returned ot Venice, Italy and became one of the foundingmembers of the Accademia di Belle Arti di Venezia (Academy of Fine Arts of Venice); seven years later moved to Bourbon court of Naples, where he would remain until his death on April 29, 1777.