La Lumière du Monde
La Lumière du Monde (The Light of the World) c1750 by French Painter François Boucher (1703 – 1770), who was also an accomplished draughtsman and etcher. He worked in the Rococo Style and is known for his idyllic classical themes, pastoral scenes and decorative allegories.
This is a beautiful portrait depicting the Biblical tale of Mary, Joseph and baby Jesus in the manger, with the angels above bearing witness to his birth and an old man chronicling the events to paper.
Near the man we can see the head of a bull that is in his stall, a woman and three children that may range in age from four to ten years of age with the youngest child holding a white dove in its hands, as though offering it to the baby Jesus.
On the ground besides the feet of Mary are two white eggs and a chicken with a rooster.
La Lumière du Monde is a retouched digital art old masters reproduction of a public domain image.
Use this link to purchase the Ornament Assets used to create the frame in this piece; the bundle includes 400 elements of beautifully designed ornaments.
Info Below Derived From Wikipedia.org
A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.
In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financial problems at the Académie royale de peinture et de sculpture. On his return from studying in Italy he was admitted to the refounded Académie de peinture et de sculpture on 24 November 1731. His morceau de réception (reception piece) was his Rinaldo and Armida of 1734.
Boucher married Marie-Jeanne Buzeau in 1733. The couple had three children together. Boucher became a faculty member in 1734 and his career accelerated from this point as he was promoted Professor then Rector of the Academy, becoming inspector at the Royal Gobelins Manufactory and finally Premier Peintre du Roi (First Painter of the King) in 1765. Portrait of Marie-Louise O’Murphy c. 1752
Boucher died on 30 May 1770 in his native Paris. His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: “Boucher is one of those men who represent the taste of a century, who express, personify and embody it.”
Boucher is famous for saying that nature is “trop verte et mal éclairée” (too green and badly lit).
Boucher was associated with the gemstone engraver Jacques Guay, whom he taught to draw. He also mentored the Moravian-Austrian painter Martin Ferdinand Quadal as well as the neoclassical painter Jacques-Louis David in 1767. Later, Boucher made a series of drawings of works by Guay which Madame de Pompadour then engraved and distributed as a handsomely bound volume to favored courtiers