You See This Is The Problem With Monsters, Poor Attitude
You See This Is The Problem With Monsters Poor Attitude AI Concept Art by Xzendo7; that’s about to find out how right he is.
In a brightly lit room cluttered with the trappings of a life dedicated to intellectual pursuits, a man sits unaware of the looming danger mere feet behind him.
His smug expression and self-assured body language betray a profound disconnect from his precarious situation.
This is the heart-stopping scene depicted in “You See This Is The Problem With Monsters; Poor Attitude” – a surreal juxtaposition of the reasoned world of science and the visceral realm of the monstrous.
This is an amusing painting of a world-renowned scientist in an off-white button-down shirt with a folded red handkerchief in his left shirt pocket, wearing dark olive khaki slacks and lace-up dark burgundy patent leather shoes; sitting in a low-back brown leather chair by a wooden desk.
His staid, academic attire is at odds with the chaos that surrounds him – a dirty coffee cup rest on the left end of the desk, there is a stack of books and journals resting on the keyboard, pencils and pens strewn about haphazardly in cups and on the desk; as well as a jar filled with a green liquid on the far right than can easily be knocked over.
It’s as if the ordinary objects have been frozen in a moment of upheaval, their disarray a harbinger of the pandemonium to come.
Above the desk is a wooden bookcase with three shelves filled with books, a desk lamp projecting from the right of the bookcase illuminating the desk area and computer monitor, as well as a framed picture below the bookcase.
The shelves groan under the weight of tomes accrued over a lifetime of study, their well-worn spines a testament to the man’s voracious appetite for knowledge.
Yet the bright glow of the lamp shining on the computer screen highlights eerie information, hinting at mysteries that lie beyond the realm of what can be contained within those gilded pages.
Above and behind him attached to the wall is an air conditioning unit connected to pipes and electrical wiring, that connect to a blue fluorescent lighting strip above a few feet above it, with additional wiring tubing distributed on the ceiling.
The sterile, utilitarian accoutrements of modern life encroach upon the space, their harsh lines and unforgiving angles a stark counterpoint to the organic form that is coming out of the shadows. The wires and pipes seem to snake with a life of their own, as if tendrils that are waiting to ensnare the man in a web of his own making.
On the floor is additional snaking tubing and wiring scattered about the room, as well as an open newspaper by his left foot. The disarray speaks of a mind too preoccupied with lofty matters to attend to the mundane details of daily existence.
The newspaper, its headlines trumpeting the trivialities of the day, lies ignored and forgotten, a relic of a world that has lost all relevance.
The scientist is looking into the distance with a smug look on his face while holding a pencil in his right hand, with which he gestures as he explains the problems with monsters.
While just behind him is a massive pink monster with large amber eyes, swirling tentacles, and goo dripping from it form. Its mouth wide open brandishing its very long sharp pointed teeth ready to eat him, that he is totally unaware of.
His hubris is palpable, his certainty that he has unraveled the mysteries of the universe and can now pontificate on the nature of things that lie beyond the veil of human understanding.
Yet the monster that looms behind him, a grotesque amalgamation of flesh and phantasm, is a visceral reminder that there are forces at work in the cosmos that defy rational explanation.
Its gaping maw and slavering tentacles are poised to consume the man whole, to devour his fragile intellect and reduce his lifetime of achievements to mere sustenance for its insatiable hunger.
In this haunting tableau, the artist has captured the ultimate conflict between the rational and the irrational, the known and the unknown.
The scientist’s smug disregard for the eldritch horror that threatens to engulf him is a searing indictment of the folly of human arrogance in the face of the vast, unknowable mysteries of the universe.
For in this realm, where the boundaries between reality and nightmare blur, it is not the attitude of the monsters that is the true problem, but the hubris of those who believe they can conquer the unconquerable.
This digital art creation, as with all the artwork that can be found on the Xzendor7 website is available for purchase online in a variety of material formats including canvas prints, acrylic prints, metal prints, wood prints, framed prints, posters, and as rolled canvas prints in a variety of sizes from 12 inches to 72 inches depending on the size of the actual artwork and the print on demand shop you choose to buy the art from.
The artwork is also available on a broad range of men’s and women’s apparel, mugs, totes, scarfs, notebooks and journals and many home decor products.